glazing with watercolor

Using a 3/4" flat brush I wet the area I would be working on.

I painted the lower mango with the cool yellow, Lemon Yellow.

This mango is behind and farther back than the top mango.

The cool yellow sets it farther back in the painting.

I paint the top mango with the warm yellow, New Gamboge.

Let these colors dry thoroughly. I used a hair dryer.

The initial wash must be completely dry, so when you apply more colors, they will not mix together.

Clean your brush of any paint from the previous layer before adding a new layer of paint.

Make a wash of the Winsor Red and water. Winsor Red is a transparent color.

The Cadmium colors are opaque and do not work well for glazing.

If you don't have Winsor Red, use Permanent Rose which is a transparent color.

When the underlying colors are thoroughly dry, add the next glaze.

This time we use Ultramarine Blue.

Ultramarine Blue has the characteristic of granulating when it is applied.

I specifically chose Ultramarine instead of Cobalt Blue because of this characteristic.

I wanted the granulation to portray the color variation of the mango.

Use the same blue where the top mango overlaps the bottom mango.

Apply a line of blue with a round brush.

Immediately come back with some clear water to feather in the bottom edge of the shadow.

Also, softly apply some blue around the outside edge of the mango.

This makes the mango edge turn away from the viewer and gives it a rounded appearance.

Continue glazing with watercolor on both mangoes.

It took more than one glaze of the red to achieve the mango color.

Glazing with watercolor takes multiple layers.

The viewer's eye sees down thru the multiple transparent layers.

I also added more glazes of yellow to intensify the color.

i still used the warm yellow on the top mango.

The cool yellow on the bottom mango will set it behind the top mango.

Continue glazing until you are satisfied with their color.

i do the lower leaves first because they are set behind the fruit.

I used Raw Sienna close to the fruit.

As I moved away from the fruit I blended to Lemon Yellow.

I left some paper white for interest.

Your paint may go outside of the leaf area like mine did on the right-hand side.

While the paint is still wet, blot it up with a tissue or a paper towel.

If the paint is already dry, use a wet brush to dampen it. Then lift it off with your tissue.

The Sienna goes on while the Gamboge is still wet.

The two colors blend together.

While the yellows are still moist, I added a bit of blue in areas on the shadow side of the stems.

Go up the page for the finish.