Step-by-step instructions for painting a lion with oil paints.
We know the lion as "King of the Jungle". Lions are known for their strength and courage. They are the second largest type of cats on earth.
Actually lions don't normally live in the jungle. They mostly live out on the prairies, the grasslands of Africa. A few lion reside in India.
Maybe we could call tigers the king of the jungle. They are the largest of all cats and they do live in jungles.
Let's get started painting a lion. Follow the three easy steps and create your own lion painting.
Use these basic steps to paint your lion with either oil paints or acrylics. Oils and acrylics both are painted from dark to light.
Watercolors are painted the other way around. They are painted from light to dark. Paint a giraffe with watercolor.
The longer I paint, the more I like to simplify. It's easier when we only have to keep a few colors in stock. So I have been scaling down my colors to a limited palette.
This lion painting was done with the three primary colors, plus an orange.
This painting is on a 12x12 gallery wrap canvas. Use any size you wish. Even a canvas board is great to practice painting a lion.
A couple of flat brushes worked well for this painting. The exact size of our brushes depends on the size of the canvas.
On this small canvas, I used a #4 for the lion and a #6 for the sky. A small round brush was used for his eyes.
We start the lion painting with a thin layer of paint that dries quickly.
Mix a variety of browns with a small amount of solvent. The solvent speeds up the drying time.
Later we will paint over the underpainting without completely covering it. The underpainting colors will provide variety and the shadowed areas.
We mix our dark colors with the colors selected for the current painting. This ensures color harmony throughout the painting.
The best way to get a dark color is to mix complimentary colors. Mixing blue and orange will give a nice variety of browns. Add more blue to get a black.
Paint the darkest brown in the shadowed areas under the cheek mane, under the neck mane, on the left side of the forehead and some areas in the top mane.
Spot out the eyes, mouth and nose. Notice the top line of the nose is not a straight line. Leave some place in the nose to paint red in the detailing step.
It's easy to make corrections in the thin underpainting.
While underpainting the background, I noticed the chest went out too far to the left. So I cleaned the mistaken chest area off before painting the background.
Make any necessary corrections with solvent on a clean brush. Paint the solvent on the area you wish to remove. It will take several times to stroke the paint away.
Clean the brush between strokes. If necessary, finally wipe the area clean with a dry paper towel or rag.
The sky is darker at the top. It gets lighter toward the horizon.
Mix a muted blue for the sky. Mute the blue by adding a tiny bit of its compliment. A muted blue makes the sky look more natural.
Lighten the sky toward the horizon by adding more solvent the thin the color. A tiny bit of yellow will warm the blue toward the horizon.
We want the sky's underpainting to dry a bit before we finish painting it. So complete the rest of the underpainting while the sky is starting to dry.
Complete the underpainting with the lion's face and mane.
Now is the time for any corrections on the drawing or composition.
All the areas of the canvas are covered and we get a good sense of what the finished painting will look like. This photo was taken before painting a light color around the eyes. (Next photo)
Now we get to paint. The paint will be thicker, not thinned with solvent. Learn more about how to oil paint.
The underpainting laid out the colors and composition. This makes the painting part easy, because the drawing, colors, values, etc. have all been decided.
Start by painting the sky around the lion. We want the sky finished because parts of the lion's mane will extend out over the sky.
The sky's underpainting should have dried partway while we were underpainting the face. It laid out the color and values of the sky. Now we paint white into the sky.
The sky does not have to be entirely smooth. This is a painting and the viewers enjoy seeing brush strokes and some color variations.
Painting the lion's mane is fun!
Paint the lion's mane with lighter colors than the underpainting.
Mix some browns with Burnt Sienna and a little blue. Add yellow and a little bit of white to lighten it.
We can mix two or three different versions of the color. Then the mane won't be the same color all over.
Use the edge of a flat brush and stroke in the direction of the hair. Leave the underpainting showing thru in places for shadows and color variations.
The light is coming from the right, so left side of the mane will be darker.
This will be the final painting of the face, so use paint without any solvent.
Paint the face with pretty much the same colors and values of the underpainting.
The face is more sienna colored toward the top. It gets lighter and more yellow down on the muzzle.
Put a little shadow under the mouth line to indicate it turning in. The hair under the mouth on the chin is white, but in this stage give it a tiny bit of color. Then the white highlights will show up in the final stage.
We will do the pupils of the eyes in the final stage after the yellow is dry. That way the yellow and black won't mix.
Paint and texture the body with some lighter brown colors.
As an artist, the dark body gives a nice contrast to the light colored mane. Every artist has their own way of painting a lion.
You may want to do a yellow body, that's fine, too. They can have quite a variety in appearance.
It's nice to have some good photos for painting a lion. A good place to look for copyright free images is Pixabay.
The painting is well on its way. We will paint some details and finishing touches on the lion.
Look over the painting and see what you want to refine. You may want to touch up and finish different things. Here's what I did.
The grass was roughed up with a variety of grassy colors. Details in the grass would draw attention away from the lion, so it is purposely left vague.
Touch-up any final details you see that need adjustments.
This is not a list of things for you to paint. It is what I saw in my painting.
You may find different things to adjust. No painting is perfect, so there usually are some final tweaks.