A good composition in art arranges the elements in an enticing manner to draw people into the painting. Then they enjoy spending more time looking around in the painting.
What is a good composition and how do we design successful paintings?
Artists don't have to copy nature or photographs. We have an artistic license to move and arrange the elements in our paintings to create a pleasing composition.
A good composition highlights the main subject of the painting. The viewers are seamlessly drawn to the focal point, the main reason of the painting.
Successful compositions are often designed with the following items:
The rule of center lines can make or break our compositions.
Good compositions avoid placing the focal point on the center lines.
Place the main subject to the left or right of the vertical center line and above or below the horizontal center line.
In this painting, the tree is left of center and the water-line is below the center.
A subject right in the center is like dividing the painting in half.
When the viewer looks at the subject it's like diving into a hole, then it's hard for their eyes to move out to the rest of the painting.
They feel uncomfortable, don't know where to look and many times leave the painting.
The rule of thirds is the easiest rule of composition in art.
It places the focal point about one third of the way into the painting. The viewer's eye then has space to move around and look at the other parts of the painting.
Divide the painting surface into thirds.
Draw two lines up and down and two lines across the painting surface.
This makes nine equal spaces. This works whether our painting is oriented either horizontal or vertical.
Place the focal point at one of the intersections.
We may use any intersection, the left, right, top or bottom intersection.
In the example painting, the Scrub Jay is located at the top right intersection of the lines.
The viewer's eye is drawn into the painting. Then there is plenty of space for their eyes to move freely into the rest of the painting.
The rule of thirds makes composition so easy.
There are basically two types of painting compositions: symmetrical and asymmetrical.
Symmetrical compositions are basically the same on both sides.
They are very good for painting a formal building where the left side looks exactly like the right.
This painting has a building put on the left making it asymmetrical.
Even though the painting is in balance, the left side is very different from the right side.
Circle compositions are not very common.
They may be symmetrical or asymmetrical depending on how the artists portrays the scene.
Here I had fun painting more koi in a double circle.
That's the joy of painting, the opportunity to express ourself.
After we position the main subject, we are well on our way to an exciting painting.
Here are a few other things to keep in mind to avoid pitfalls:
Parallel lines close to the edge of the canvas pull the viewer's eye away from the focal point and often out of the painting.
Lines going directly out the painting will lead the viewer's eye right out of the painting.
A good composition will break a long horizon line.
Use a bird, a tree, a mountain or something to break the horizon line. A long, straight horizon with no break gives the viewer a highway to travel right out of the painting. We want to keep the viewers inside the painting.
The horizon line of landscape paintings should be placed above or below the center line. That's using good composition.
Our paintings are basically made up of shapes and lines.
The lines may be actual lines or implied lines; they both are considered part of our compositions.
The line of a road, a river or a fence may be used to lead the viewer into the landscape painting. Still life paintings may use a stem, the table cloth, etc.
Horizontal lines are calming and peaceful.
Diagonal lines, even if they are implied, denote movement and dynamic energy.
Geometric shapes are static and non-artistic.
Shy away from using definite geometric shapes like a square, circle or triangle.
Use your artistic license to change geometric shapes.
For example, we may have:
We don't have to paint things exactly like they are in real life.
A tangent is where two items are just barely touching each other. Artists call this "kissing". It makes the viewers feel uneasy.
Keep objects from barely touching each other or the edge of the canvas.
Suppose we have a reference image with two roses barely touching each other, like the (blue #1) in the photo? We have 2 options:
The (blue #2) rosebud is overlapped by the open rose in front of it.
Overlapping items is a great way to create distance in a painting.
The overlapped item moves behind. Subduing its color will enhance the effect of distance.
How we position people or animals is important for artists.
Position them facing into the painting.
The viewer's eyes will follow the line of vision of a person or animal.
The hummingbird is looking at the flower thinking about lunch.
That keeps the viewer's eyes inside the painting.
If a critter or person is looking out the side of the painting, their line-of-sight will carry the viewer's eyes right out of the painting.
That's not what painting compositions are supposed to do.
Things look better in groups or near other items.
A group of items feels more comfortable to the viewers.
Odd numbers keep our paintings interesting and keep the viewers looking longer.
Numbers such as three, five or seven are more pleasing than even numbers.
Even numbers like two, four or six are stagnant and unexciting to the eye.
So, no matter if its trees, rocks or apples, use odd numbers for creating good compositions.
Single items attract attention.
Single or solitary items are great for the focal point. But in other areas of the painting group the items together.
Variety is so important in our paintings! Repetition is boring.
Have a variety of sizes, shapes and colors to keep the painting interesting.
For example:
Let's review what we have learned using the painting from the top of the page.
How does this asymmetrical painting stand the test?
A good composition doesn't have to be perfect, just look for big mistakes. After a few paintings, you will be able to design good compositions instinctively without using a checklist.
The rules of thirds and center lines are important guidelines for painting art.
BUT - We don't always have to follow the rules for successful paintings.
We have an artistic license to move and change things in our paintings.
When it feels right to us, it will please the viewers. That's what good composition in art is all about.