Start creating easy compositions in your paintings with the rule of thirds. This time-honored technique has been used by artists and photographers for centuries.
You'll be able to create dynamic, balanced, and engaging paintings that draw the viewer's eye and hold their attention.
On this page, we'll look into the history of the rule of thirds, explore its various applications and provide practical tips for incorporating it into your own paintings.
This time-honored technique was first written about in the 1700s.
The suggestion was to paint everything in a 2:1 proportion. Such as, two thirds light and one third dark values or one third land with two thirds sky or vice versa, etc.
Today many artists and photographers use the rule to create captivating artwork.
The rule of thirds is the artist's shortcut for easy compositions.
This is especially useful for the beginning artist. They can concentrate on the painting process because a good composition is a done deal.
Today's artists use the rule to place the painting's focal point at a two-thirds position.
This easy technique creates balanced, engaging paintings that draw the viewer's eye and hold their attention.
We place our subject, (the focal point) one third of the way into the painting.
The rest of the painting takes up the remaining two thirds of the space. This creates a balanced painting.
A painting with unequal parts is more interesting and attractive to the viewers.
The focal subject draws the people in. Then their eyes have space to move around in the other parts of the painting.
It involves dividing the painting surface into nine equal parts and placing the main subject along these lines or at the intersections of the lines.
This strategic placement of the subject creates a sense of harmony and tension that makes our paintings more interesting and visually appealing.
1 & 2: Place two lines vertically up and down at one third and two thirds of the format.
3 & 4: Then place two lines horizontally across the canvas at the one third and two thirds' divisions of the canvas.
This divides the canvas into nine parts.
X Place the subject of the painting at one of the four intersections of the lines.
Any intersection will work, but the top ones are best. People tend to look at things from the top down, so they will take more time to look at the rest of the painting.
The subject does not have to be exactly dead-center on the intersections.
They may also, be placed anywhere on the third lines, up or down or across. Any position on the thirds will create a visually appealing composition.
In
our culture most of us read from left to right. So, an intersection on
the right side is considered the ideal place for the focal point.
The subject in tall or long paintings may be placed along the third lines.
This works for either horizontal or vertical subjects.
Vertical subjects such as a tall waterfall, a tree, a tall building, or even a lighthouse may be placed on or near one of the vertical lines.
The remaining two thirds of the painting balances the tall object.
Long buildings would be placed on one of the horizontal lines.
Additionally, the lines of land or water may be placed at or near one of the horizontal third lines.
This would give us the 2:1 ratio of land to sky or land to water.
That's what the artists were talking about in their writings back in the 1700s.
A second focal point gives the viewers more to look at and keeps them interested in the painting.
We may place a second subject at another intersection of the third lines.
In this painting the hummingbird and the flower are each placed at an intersection of the third lines.
They are placed diagonally across from each other.
Diagonal lines create a dynamic tension and indicate action in a painting.
Plus, the hummingbird is looking at the flower. His gaze guides the viewer's eye to the flower.
It creates a feeling of movement and action in the painting.
Do artists always place the focal point on the third lines? Do we have to avoid putting the subject on the center lines.
There are always exceptions to any rule.
Portraits of people or animals may have the subject placed in the center of the painting.
However, when we are painting portraits, it's best to place the subject at a three quarters view.
This means the subject is not looking directly at the viewer. Nor is it looking straight out the side of the painting, but half-way in between.
This creates more interest and changes the painting from being completely symmetrical.
Of course not, but it's an excellent tool for the artist's tool belt.
Using the thirds rule creates dynamic and balanced compositions.
We can confidently count on a good composition and turn our attention to color and other painting skills.
As you continue to grow and develop as an artist, be sure to check out more articles and tutorials on ArtbyCarolMay.com.