The rule of thirds is our shortcut for easy composition.
It is a tried-and-true method used by artists and photographers for centuries. It was first written about in the 1700s.
They talked about having unequal parts in a painting. Their suggestion was to paint everything in a 2:1
proportion. Such as, one third
land with two thirds sky or vice versa.
Divide the painting surface into nine equal parts.
Place lines horizontally and vertically at one third and two thirds.
The main subject of the painting is placed at or near one of the intersections of the lines. (See the painting above.)
In our culture most of us read from left to right. So the bottom right intersection is considered the ideal place for the focal point.
In this case, I used the top left intersection for the main subject.
Think of a teeter tooter.
A heavy person sits on the short end of the teeter tooter. In order to balance, the lighter person sits way out on the longer side of the teeter tooter.
In a painting we place our subject, the focal point one third of the way into the painting. The rest of the painting takes up the remaining two thirds of the space.
This makes a balanced painting, just like on a teeter tooter.
A painting with unequal parts is more interesting and attractive to the viewers. The focal point draws the people in. Then their eyes have space to move around in the other parts of the painting.
Nothing in nature is ever in perfect balance.
Even one side of our face is not an exact mirror image of the other side of our face.
Only man makes things in balance in our buildings, formal landscapes, etc. They have their place and can be attractive, but not so much in paintings.
There are times we may place the focal point directly in the middle of the painting. One example would be in a portrait. Normally the subject should not be looking directly at the viewer. In that case it's best to place them in a three quarters view.
Placing the subject in the center is not a good idea.
The viewer's eye is drawn to the subject, then they don't look around the rest of the painting. Why?
A focal point dead center in the middle of the painting, divides
the painting in two. The focal point draws the viewer into the painting. Then they don't know whether to look left of
right. Indecision causes them to lose interest in the painting.
In a landscape painting, if the horizon is placed in the middle of the painting, it cuts the painting right in half. The viewer feels discontentment and moves on to look at other paintings.
Tall or long paintings subjects may be placed along the third lines.
This works for either horizontal or vertical subjects.
Vertical subjects such as a tall waterfall, a tall building, a tree or even a lighthouse may be placed on or near one of the vertical divisions.
The remaining two thirds of the painting balances the tall object.
A long building could be placed on a horizontal third line.
Additionally, the lines of land or water may be placed at or near one of the horizontal third lines.
This would give us the 2:1 ratio of land to sky or land to water.
That's what the artists were talking about in their writings back in the 1700s. This method of creating a composition has been used for centuries.
Place a secondary focal point at another intersection.
A second focal point gives the viewers more to look at and keeps them interested in our paintings.
In this painting the hummingbird and the flower are each placed near an intersection of the third lines.
The subjects are placed diagonally across from each other. This creates a dynamic tension that creates more interest for the viewers.
Hummingbird paintings are fun!
Do we always follow this rule?
Of course not! But it is an excellent tool for the artist's tool belt. We paint for the viewers and the rule of thirds makes it easy.
Balanced paintings don't have to be symmetrical.
Many artists don't paint equal parts of anything - light, darks, shapes, color or anything.
Asymmetrical balance works for many areas of a painting. This is the basic premise of How to Paint Good Art.
We can count on the rule of thirds for a good composition. It gives the artists breathing room.
We know the composition is a done deal. Then we can confidently turn our attention to color and other painting skills.
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